- It's about the song, not the band. The is a SONGWRITING competition. A great performance certainly helps to communicate the songwriter's intent, but it's the song that counts in the end.
- To ensure the above, it's judged; it's not a popularity contest. The popular vote is counted only in the event of a tie, where the judges just truly can't decide on a winner. In this respect, I regard SpinTunes as a step up from Song Fu.
- The competitors have to meet specific, difficult songwriting challenges posed by the judges. This may be a topic, a style, a title, an included phrase, a rhyme scheme, or any combination of criteria that strike the judges' fancy. To make it through this competition, a songwriter must not only be capable of writing good songs, but must be able to write them to a specification, and deliver them on time. This is NOT something where you just can make up anything you want to a title. We're looking for Masters here, not craftsmen.
I myself had three ideas based on established characters... "I'm In Your Head" and "Accepted" (both based on Professor Charles Xavier of the X-Men), and "Emerald Dawn" (based on Green Lantern, whose oath inarguably provides the finest ready-made lyrics in comics history); as well as a fantastic idea for an EP from my son; AND the topic I actually submitted, "Save the World".
Most assuredly, the challenge was not too hard. Many of the competitors had an over-abundance of ideas, as did I. So here's the bad news: Of the original 31 competitors, 11 did not complete the challenge. That's a real disappointment. It's understandable when scheduling issues and "real life" get in the way, but I think it highly unlikely that this was the case for all eleven; especially not when the competitors had a full week and a half to tackle the challenge. As a result of this self-selection, all of the remaining competitors advance to the next round. I don't hesitate to point out to the competitors who advance that this is not "by default"... those of you who submitted actually put forth the effort and delivered a product... the eleven did not. Something is better than nothing, so, as you're weighed against the competition, you have moved on purely through merit. That said, I hope that at least some of those who were eliminated this round continue to follow the competition and submit shadow entries. This should be about meeting personal challenges, not about winning or losing.
Fortunately, the bad news is balanced with the good. The entries that were actually made were stellar. I can't express how pleasantly surprised I was at the variety of the entries and the quality of the submissions. Everyone from JoAnn Abbot (who isn't even a musician, and for whom this is her first ever competitive entry) to Edric Haleen (who has 13 prior rounds of Song Fu under his black belt) gave their very best, and made this a tough, tough round.
I did mention there is a popular vote, which is consulted in the case of a tie. That makes the popular vote very important. We are, in essence, the Last Judge, and we have up to three votes per round. I'm cautious as to how I place those votes of mine. I want to make it clear that because the competition was so tight, technicalities matter. So if you didn't exactly meet the challenge, you didn't get my vote, no matter how good the song was. And because the voting is used in the case of a tie, I might not apply a vote to someone who I think is a "shoo-in"... instead, I might use it to tip the balance of a borderline entry. So if I didn't vote for you, please don't begin to think that I didn't like your entry. Finally, with only three votes, I'm not able to vote for some entries that I really and truly believe deserve the vote, and to those people I apologize profusely. Before I tell you where my votes were placed, here are some honorable mentions for stand-out material...
Kevin Savino-Riker, "Tough Jobs vs. Iron Gates". This is supremely listenable, a great tune, and a great concept. It's awesome that both characters are cast in the role of villain and hero simultaneously. In the end I didn't vote for it because it stretches the definition of super-hero and super-villain too far. Other people met the challenge more squarely.
Denise Hudson, "Invisible Girl". I think this is a gorgeous tune, and Denise absolutely hit the concept of "Invisible Girl" squarely on the head. What's more, I love it because it's the answer to a Question I had posed earlier in the week... "Flight or Invisibility?". Denise takes us on a tour of the Invisible Girl's psyche, and fully deserves a vote. But I have only three.
Bram Tant, "Kebab Shop". This is hands-down the best song Bram has ever submitted in competition. I really, really love it. REALLY. I was [this close] to voting for it, but did not simply because his villain, while creative and astoundingly original, is a little too close to reality, and a little too subtle in his operation. A super-villain is best when larger-than-life; I get the feeling that Bram's villain may actually be operating in any major city at this very moment.
Sara Parsons, "Starlite (Ballad for a Noble Steed)". This is arguably the most surprising, right-out-of-left-field submission. I would have never considered Rainbow Brite's horse as a topic! But you know what? It works! And it squarely meets the challenge! And as always, Sara's execution of the concept is superb, with her melt-your-heart voice used to full effect. But I only have three votes.
The same goes for Godz Poodlz' "The Human Bomb". I'm a huge Poodlz fan, and I wish I could vote for them every time, but I just can't.
So having mentioned five stand-outs that I couldn't vote for, here are my votes:
Caleb Hines, "Clockwork Man". Caleb spins a Victorian gaslight fantasy that draws you in from the very first peel of Big Ben in the superbly orchestrated introduction. Though he was built by a mad inventor to protect humanity, Clockwork Man was built without a heart. As a result he will dispassionately dispense with the life of an individual to save a city. You can't argue with numbers. This is original, shocking, well-executed steampunk fun. I'm still geeking out over it.
Ryan Welton, "Underdog Blues". Ryan gave us one of the very few entries based on an established superhero, and he did it with panache. This is a really fun, catchy tune which has already found a home on my MP3 player. Ryan met the challenge squarely and competently with not a hint of grey area. He just did a really, really good job, and that deserves to be rewarded.
Edric Haleen, "A Letter to Humanity". "Method actors" are a dime a dozen. Edric is only "method musician" I know of. In the week leading up to the listening party, Edric manipulated the expectations of the audience in Artifiction chat, the better to showcase the signature "big reveal" in this song. He actually posted a scan of the "actual" Letter to Humanity as his lyric sheet as a "feelie" reminiscent of the old Infocom adventure games. He is an entertainer par excellence, and I don't think he's ever gotten the kind of response he deserved in Song Fu. But, judging this song purely on its own merits, and pointedly ignoring the drama, I couldn't avoid the conclusion that it still deserves my vote. Edric has orchestrated a string accompaniment, a soaring tune, and meticulously crafted lyrics to take you exactly where he wants you to be emotionally. This is simply a great song. A lot of thought went into it, as you can read here.
Voting is open until June 29, 2010, 11:59 pm EDT. If you haven't already, please go to http://spintunes.blogspot.com, listen to the entries, and cast your votes now.